Our People

Students | Faculty | Staff and Board

MANC Students

Many former MANC students are now active professional musicians and/or educators in well-respected colleges and universities, including teaching at MANC. Generally, students:

  • Place in local, regional, and national competitions
  • win awards
  • earn college scholarships.

Current or returning students. You may register for lessons online, in person, or over the phone by contacting Chris Rachal, Director of Student Relations at 336.379.8748 x 100.

New students? Click here.

MANC Faculty

(Jump to: Strings | Piano | Voice | Woodwind, Brass, & Percussion | Guitar | Jazz)

More than 35 highly qualified faculty members offer the finest in music lessons to a thousand students of all ages. They have trained in our nation’s best music schools, including Eastman, Northwestern, Berklee, Juilliard, Oberlin, Peabody, and Indiana. The majority hold advanced degrees. They also:

  • have recorded with music publishers
  • performed nationwide and abroad with major symphonies and commercial groups
  • are in strong demand to adjudicate at state and regional competitions.

Some have been teaching for more than 30 years and/or teach at nearby colleges and universities.


Diane Bonds, Cello
Kellie Burgess, Cello
Colleen Chenail, Violin
Theresa Fox, Violin and Viola
Steve Landis, Bass and Composition
Heather Lofdahl, Violin and Viola
Ruth Metheny, Violin
Katherine Miller, Violin

DIANE BONDS, cello faculty, comes to MANC with extensive teacher training and many years of teaching and performing experience. After receiving a BM from UNC-Chapel Hill and MM from the University of Texas at Austin, she completed All-Level Music Certification at the University of Houston and Suzuki Cello training from teachers across the country. One of the highlights was participating in 1999 at the International Suzuki Teachers Conference in Matsumoto, Japan. Up until 2005, most of Diane’s teaching was centered in Houston, TX. She taught for over 20 years at Parker Music Academy, a music magnet school, building the program from just a few to over 55 cello students. During that time her students were honored with the invitation to perform in both 1996 and 1998 for the National Suzuki Teachers Conference in Chicago. Former students have gone on to major music schools and conservatories including Curtis Institute and the Juilliard School, one student being a top prize winner in the 2001 Rostropovich Competition and the XII Tchaikovsky Competition in 2002. Returning to Greensboro in 2005, Diane first held an adjunct position at Greensboro College and now continues as teaching artist for the Community Music School at Appalachian Sate University. When not teaching in Texas or here in Greensboro, she freelances having performed in such orchestras as the Austin and Galveston Symphonies, Opera in the Heights in Houston, Opera Roanoke and Roanoke Symphony and the Greensboro Symphony. Diane can be reached at dbonds@musicacademync.org.

KELLIE BURGESS, Executive Director, helps craft an artistic, educational, and organizational vision for The Music Academy. Throughout her career as a music educator, administrator, and restaurant owner, she has developed skills and expertise in organizational and event management, personnel management, accounting, budgeting, fundraising, grant writing, marketing, board development, and strategic planning.  Her passion for music education and arts advocacy fuel her accomplishments and motivate her to fulfill her responsibilities as an arts administrator.  Kellie participated in the Guilford Nonprofit Consortium’s Executive Director Academy and Board Development Academy, Impact Greensboro, a five-year training in the Benevon Model for Sustainable Funding, and she regularly engages in professional development opportunities locally and nationally to learn from others, build relationships, and strengthen her skill set.

Kellie received her Master and Bachelor of Music degrees in cello performance from the University of North Carolina Greensboro. Her twenty-year career teaching cello, early childhood music, and beginner violin as well as the many years spent performing with local orchestras and chamber ensembles help guide her vision for the organization.  Kellie is proud to be recognized as a Music Academy Master Teacher; trained in Musikgarten, Kindermusik, Orff, and Suzuki cello; and held the positions of Dean of Faculty, Chair of the String and Early Childhood departments, Artistic Director for The Music Academy of NC Cello Competition, and Director of Outreach before being appointed to her current position.  She enjoys spending time with her family, making pottery, gardening, playing the piano, and hiking with her two German Shorthaired Pointers whenever possible.

She can be reached at 336.379.8748, ext. 106 or kburgess@musicacademync.org.


COLLEEN CHENAIL, originally from Massachusetts, started Suzuki violin lessons in first grade at her school, Whitinsville Christian.  After graduating in 1993 she headed to Ithaca College in Ithaca, New York where she majored in music education and performance.  She continued her academic studies at the University of North Carolina at Greensboro with a masters in Violin Performance, graduating in 2000.  Colleen has taught Suzuki violin at the Music Academy of North Carolina since 2001 and has received Suzuki training from books 1-6.  She has been the head of the string department and summer music camps at the Music Academy, received the Elizabeth King Brown Teaching Excellence Award and continues to be a Master Teacher.  Colleen has taught orchestra and chorus in the Forsyth County Schools and currently teaches preschool music in Headstart programs with the Greensboro Symphony Orkidstra program.  In addition, she conducts the Greensboro Youth Philharmonic with the Greensboro Youth Symphony.  Colleen has been the concertmaster of the Danville Symphony, performs regularly throughout Virginia and North Carolina and continues to perform with the Greensboro Symphony where she has been a member since 2001.  She lives in Greensboro with her husband AJ and three daughters.  She can be reached at cchenail@musicacademync.org.


THERESA FOX, a native of Greensboro, studied violin and viola performance at UNCG. The viola mentor for the Danville Symphony Orchestra for the past ten years, Theresa has also played with several other orchestras and ensembles in North Carolina and Virginia: notably, she is a member of the Danville String Quartet. Theresa also plays violin on the praise-and-worship team at We Are One Christian Fellowship. Theresa performed chamber music with MANC faculty a few years ago and currently performs with a piano Quintet in Greensboro. Theresa is currently accepting new violin and viola students and can be reached at tfox@musicacademync.org.



STEVE LANDIS is an Adjunct Instructor at both The University of North Carolina at Greensboro and Guilford College. He also teaches double bass and composition at the
Music Academy of North Carolina. Steve is the bassist for the Winnfield Quartet and a section member of The Raleigh Symphony Orchestra. As a composer, Steve works with many mediums including solo instrumental, mixed chamber groups, large ensembles, digital and mixed media, as well as film and theater. As a double bassist, Steve performs in solo, chamber, and orchestral settings. Steve earned his DMA in Composition at The University of Missouri-Kansas City Conservatory, an MM in Composition from The University of North Carolina at Greensboro, and an MM in Double Bass Performance and a BM in Composition from The University of Florida. Steve is a recipient of the Millay Colony, the Virginia Center for Creative Arts, and Wildacres Artist Retreat. https://slandismusic.com. He can be reached at slandis@musicacademync.org.



Ruth MethenyRUTH METHENY received her B.S. in Music Education on a full music scholarship in 1976 at Austin Peay State University, where she double majored in violin and piano. She and husband Gary moved to Greensboro, where Ruth joined the Greensboro Symphony Orchestra. After teaching strings in the Guilford County School System, she received an Assistantship to attend Graduate School at UNCG, studying under Dr. David Moskovitz. Ruth received her Master’s Degree in Violin Performance in 1983, during which time she won an audition with the Winston-Salem Symphony. She has been the lead violinist of the Greensboro Symphony and Winston-Salem Symphony string education ensembles, developing educational programs and concerts for third- through fifth-grade elementary students. In 1983 Ruth attended Suzuki training in Steven’s Point, Wisconsin, and began her home private teaching with a studio of 24 students. She has taught violin technique to students through Suzuki Book 10. Ruth joined the faculty of the Music Academy of NC in 2013 where she continues to enjoy teaching and has been awarded Associate and Master Teacher status. She developed and presented the Fiddle Fun Program for string quartet that is currently lead by her, and performed with MANC string faculty, introducing Pre-K through second-grade students to string instruments and music in Title One Schools. During the Winter of 2020 she designed and developed a Children’s Concert program to be performed virtually for ages 4-8. This program is unique in that it involves MANC faculty playing Bass, Banjo, and Piano, along with Ruth playing Violin. She has held a variety of titled positions, including Principal First Violin and Associate Concertmaster of the Winston-Salem Symphony. Ruth has performed with many chamber ensembles, such as the Greensboro Chamber Players, Greensboro Symphony Chamber Orchestra, and the Carolina Chamber Symphony. She has performed solo and ensemble recordings with several local professional recording studios, including Ovation Sound and Kindermusik International. She has been the ground floor violinist for the start-up and continuation of the GSO/Cone Health CaringSounds program, performing various types of music for children of all ages from infancy to 17 years in the Pediatric Unit at Cone Hospital. This has been continued virtually during 2020–June 2021. She and husband Gary have two daughters who also live in Greensboro.  Ruth can be reached at rmetheny@musicacademync.org.

Katherine MillerKATHERINE MILLER, originally from North Carolina, started her violin career as a young Suzuki student. She believes strongly that the Suzuki Method is the key to musical and educational development in children. Katherine graduated Suma Cum Laude from Appalachian State University with a Bachelor of Music degree in Violin Performance. During her time at Appalachian State University she held many coveted chairs in the Appalachian Symphony Orchestra including Concertmaster. Katherine has performed for celebrity Maya Angelou and was back up performer for the band Kansas during their 2012 tour. Professional orchestras that she has performed with include Western Piedmont Symphony, Johnson City Symphony, and Salisbury Symphony where she was a featured guest soloist. Katherine has received many awards for her violin performances both in and out of the music industry including the Preliminary Talent Award at Miss North Carolina in both 2013 and 2015. She is certified in Suzuki Books 1-4, and plans to continue her training further. Before joining the Music Academy of North Carolina, Katherine taught private and group classes at the University of Miami Preparatory School and in Key Biscayne, FL. Katherine can be reached at kmiller@musicacademync.org.


HEATHER LOFDAHL is a string teacher, violist, and violinist living in Greensboro, North Carolina, where she is also pursuing a PhD in Music Education at The University of North Carolina at Greensboro. Heather teaches orchestra classes at Cone and Peck Elementary Schools. She is the Music Director and Conductor of the Greensboro Youth Symphony Orchestra and assistant conductor of the UNCG Sinfonia. Prior to returning to Greensboro in 2019, Heather taught orchestra in Cobb County (GA). She has also taught elementary through university orchestra students in Illinois and North Carolina. While living in Greensboro from 2012-2015, she even taught at The Music Academy of North Carolina, where she was awarded the Mary Elizabeth King Brown Teaching Excellence Award in 2014. She also serves on the faculty of the Florida State University String Orchestra Camp every summer.  Heather holds Bachelor of Arts degrees in Music Education and Viola Performance from Augustana College and Master of Music degrees in Music Education and Viola Performance from The University of North Carolina at Greensboro. She is an active guest conductor, clinician, and violist throughout the United States. She can be reached at hlofdahl@musicacademync.org.

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Lisa Duerr
Elizabeth Leddy
Ali Hordeski
Tamar Saliashvili
Thomas Swenson
Tahmoures Tabatabaei
Janice Wells
Christy Wisuthseriwong

LISA DUERR, Associate Master Teacher at MANC, joined the Music Academy of North Carolina in fall of 2014. With over 30 years of teaching experience, Ms. Duerr has also taught at Salem College Community Music School, the Community Music School of UNCSA, The Community Music School of The University of Alabama, and Southern Arts Academy in suburban Atlanta. As an active member of the Music Teachers National Association since 1989, her students have consistently received Superior and Excellent ratings and have performed at North Carolina Music Teachers Association State Conferences. Several of her pre-college students have been accepted into established and reputable collegiate music programs. Ms. Duerr holds the Bachelor of Arts degree in Music, with a secondary emphasis in science, from Agnes Scott College, and a Master of Music in piano performance, with secondary emphasis in piano pedagogy, from Georgia State University. While at GSU she was inducted into Pi Kappa Lambda Honorary Music Fraternity. Her primary teachers include Anna
Hayward, and Cary Lewis of the Lanier Trio. As a performer, Ms. Duerr was a freelance pianist in Atlanta and Tuscaloosa. Locally, she was a participant-performer in a UNCG Pianoforte Workshop taught by Andrew Willis, and currently, through a partnership with MANC, is the accompanist for the Well Spring Singers volunteer choir. She received her Musikgarten certification in 2002. At the CMS of UNCSA, she developed and taught a successful Musikgarten program for toddlers from 2005-2013. Piano students range in age from 4 1/2 to 70+ years and include beginners of every age, music enthusiasts and hobbyists, as well as students auditioning for competitions and college music programs. Approaching each student as an individual, Ms. Duerr encourages communication between the parent-child-teacher triangle and uses unique instructional strategies that combine tradition with modern eclectic flair.  She can be reached at lduerr@musicacademync.org.

ALI HORDESKI’s passion for teaching piano developed through her rewarding experiences as a piano instructor over the past 9 years. Her first step on this journey was teaching piano at Burn Brae Day Camp of the Creative Arts in her hometown outside of Philadelphia, Pennsylvania. In 2020, Ali received her Bachelor of Music degree in Piano Performance from Susquehanna University. Through Susquehanna’s Music Preparatory Program, Ali taught numerous piano students, ranging from age 3 to adult. In 2022, Ali received her Master of Music degree in Piano Performance and Pedagogy from the University of North Carolina at Greensboro. There, she taught piano students through the School of Music’s Private Lesson Program. In addition to her background in piano education, Ali has equal practice in the realm of performance. She has played a large range of keyboard repertoire spanning everywhere from harpsichord pieces of the baroque era to contemporary ensemble pieces written by her talented colleagues at University. Besides dozens of solo and collaborative performances at Susquehanna University and UNCG, Ali has performed with the West Shore Symphony Orchestra in Carlisle,
Pennsylvania, and at Niigata University during her study abroad experience in Japan. Ali’s central goal as a piano educator is to cultivate enthusiasm, fulfillment, and a lifelong
appreciation for music in her piano students. Learning to play piano should be a positive experience, and Ali strives to create a supportive, fun, and honest learning environment for all students. When she is not immersed in teaching or playing piano, Ali can often be found enjoying the outdoors or dancing. One of Ali’s areas of pedagogical interest/research is the use of creative movement in the field of music education. Her piano students move, sing, laugh, and learn while becoming well-rounded, skillful musicians. Ali can be reached at ahordeski@musicacademync.org.

ELIZABETH LEDDY, piano department chair at the Music Academy of North Carolina, received her Master of Music in Piano Performance at the University of North Carolina Greensboro and her Bachelor of Music in Piano Performance at Baylor University. In addition to managing a private piano studio in Texas, Elizabeth also taught in the Piano Laboratory Program community piano program at Baylor University. She is a member of the Music Teachers National Association as well as NCMTA. She is also a certified Musikgarten instructor, and teaches early childhood music classes through Gate City Musikgarten.
Elizabeth is an active collaborative pianist and freelance artist in the Triad area and works as a freelance vocal, string, woodwind and brass accompanist at UNCG. She has performed as part of the Classical Music Festival in Eisenstadt, Austria, the Liszt Bicentennial Keyboard Concert at Baylor University, as an accompanist for the Texas All-State Choir Camp, and with the Fayetteville Symphony Orchestra and the Greensboro Philharmonia. Masterclass performances include Marialena Fernandes, Martin Katz, and Jane Magrath. She can be reached at eleddy@musicacademync.org.


TAMAR SALIASHVILI, piano instructor at the Music Academy of North Carolina, has 30 years of experience teaching and performing piano. She is passionate about sharing her love of music with her students of all ages (5 to 70+ years) and interest levels (beginner to advanced). Tamar supports her students in discovering a lifelong appreciation of music and pursuing their goals in piano performance, from learning their first notes and enjoying piano as a hobby to preparing for college. Her students have consistently received top marks at music festivals and won state composition competitions.

Tamar previously maintained a private studio as well as taught at Galveston Island Arts Academy (Galveston, TX) and Valley Conservatory (Huntsville, AL). She also served as a staff accompanist at the University of Alabama in Huntsville, performed as a freelance accompanist, and participated in local and regional recitals and festivals as a solo and collaborative pianist. Interested in community engagement, she has held numerous leadership positions at local chapters of Music Teachers Association and Federation of Music Clubs.

Tamar holds bachelors and masters degrees (equivalents) in piano from the Tbilisi State Conservatory in Tbilisi, Georgia. She is also Music Teachers National Association’s Nationally Certified Teacher of Music. Tamar can be reached at tsaliashvili@musicacademync.org

DR. THOMAS SWENSON, Master Teacher at MANC, has distinguished himself as a national leader in the field of piano pedagogy. He is a permanent Nationally Certified Teacher of Music (from the Music Teachers National Association) and has received several other teaching awards including the Steinway Top Educator certificate. With over 25 years of teaching experience his students are often recognized for excellent keyboard technique, interpretation, musicianship, and their compositions. Pre-college students regularly participate in recitals, music festivals, and competitions.
Thomas has served in many leadership roles for the Music Teachers National Association, the North Carolina Music Teachers Association (including President) and the Greensboro Music Teachers Association. He is published in several books and journals, and is a regular contributor to Clavier Companion. He has given presentations and workshops at the Music Teachers National Association National Conference, Music Educators National Conference, the World Music Symposium along with many state and local events. As a leader in adult piano teaching he taught a unique Recreational Music Making curriculum throughout the world and is a member of the Committee on Teaching Adults, a division of the National Conference on Keyboard Pedagogy.
Currently also on faculty at the University of North Carolina School of the Arts he has also taught at Salem College, North Carolina Agricultural & Technical University, and the University of North Carolina Greensboro Summer Music Camp. He regularly performs as a soloist, collaborative pianist, church musician, and is half of the piano duo Zwei & Zwanzig (two and twenty, with Ellyses Kuan).
Dr. Swenson holds degrees from Minnesota State University (BM), the University of North Carolina at Greensboro (MM), and the University of Oklahoma (PhD). He has also studied at the State University of New York at Stony Brook and the University of Cincinnati College Conservatory of Music. His primary teachers include Jane Magrath (editor of many piano music collections), Barbara Fast, Howard Lubin, John Salmon, Olga Gross, and Nancy Harris.
Other areas of interest and research include keyboard technique from the beginning, the art of practicing, composition and creativity, and partner lesson pedagogy.
As a hobbyist composer, Dr. Swenson has a number of completed works, mostly for church use. He can be reached at tswenson@musicacademync.org.

TAHMOURES TABATABAEI has been performing as a soloist and within chamber ensembles for twelve years. He has given numerous recitals both domestically and internationally, and received first prize in The Ninth Youth Music Festival in Tehran, Iran. His repertoire spans early baroque to contemporary, but he has a particular passion for German Romantic repertoire, especially Beethoven, Brahms, and Schumann.  He has been teaching privately and through music centers for over ten years, where he takes a flexible approach, basing his instruction on each students individual needs. He shares his passion for music with all his students and encourages them to develop their unique, musical voice.

Tahmoures is currently pursuing his Doctor of Musical Arts in Piano Performance at The University of North Carolina, Greensboro, where he studies with Dr. Andrew Willis, who also guides Tahmoures cognate of historical keyboard performance on appropriate, period instruments.  He serves as a graduate assistant within the music department, teaching all levels of group piano, and has collaborated with solo instrumentalists and participated with the University Symphony Orchestra and Symphonic Band.  He received his Master of Music degree from Western Michigan University where he studied with Lori Sims and received specialized lessons on classical era music with Phyllis Rappaport. While there, he also served as a graduate teaching assistant for group piano, and was highly sought as a collaborator for both vocalists and instrumentalists. His studied his Bachelors Degree in Piano Performance at The University of Tehran in Iran. He has participated in music festivals and master classes with pianists such as Dr. Stijn De Cock, Gottlieb Wallisch, Doris Lindner (Kitzmantel), and Dr. Robert Satterlee. He can be reached at ttabatabaei@musicacademync.org.


JANICE WELLS, piano faculty member and Master Teacher at The Music Academy of North Carolina, earned her Master of Music degree in Piano from the University of Cincinnati College-Conservatory of Music, and her Bachelor of Music degree in Piano from Newberry College. She has taught private and class piano since 1990, and enjoys teaching Suzuki-style lessons for young beginners. She is also an active freelance accompanist in the Triad area. Janice began teaching at MANC in 2002. She was a recipient of the 2004 Mary Elizabeth King Brown Teaching Excellence Award. She can be reached at jwells@musicacademync.org






DR. CHRISTY WISUTHSERIWONG, Master Teacher, has been teaching at the Music Academy of North Carolina since 2006. She received her Bachelors of Music in piano performance and pedagogy at Meredith College in Raleigh and studied Collaborative Piano at the University of North Carolina at Greensboro, where she earned her Masters of Music in 2001 and Doctor of Musical Arts in 2011. Christy is a member of NCMTA and is active in the musical life of the Triad area. She currently works as a staff accompanist at Elon University, and is the accompanist for Bel Canto Company. From 2009-2012, she taught piano and accompanied students at at Guilford College in Greensboro. Christy has been an accompanist for the American Singers Opera Project in Winston-Salem, the Greensboro Opera Company, NC-NATS auditions, Community Theatre of Greensboro, and the Cello Competition and Vocal Festival at MANC. She has worked frequently as an accompanist for the UNCG Opera Theatre Department, playing for the Opera Tour to the Schools and the North Carolina premiere of Mark Adamo’s Little Women, among other shows. She has performed chamber music recitals as a guest artist at various schools around the country, including Elon University, Furman University, Duquesne University, and Ball State University. In the summer of 2006, Christy participated in the Summer Piano Pedagogy Institute at the Longy School of Music in Cambridge, MA. Internationally, Christy attended the opera performance and language study program Oberlin in Italy in 2001 and the University of Miami Frost School of Music German lieder program for singers and pianists in Salzburg, Austria in 2007. Christy was a recipient of the Mary Elizabeth King Brown Teaching Excellence Award for 2008-2009. She can be reached at cwisuthseriwong@musicacademync.org.

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Forrest Bunter
Woodson Faulkner
Stephanie Foley Davis
Charlene Marchant
Clarice Friedrich

FORREST BUNTER, from Neosho, Missouri, holds an MM in Voice Performance and Pedagogy from University of North Carolina at Greensboro and a BA in Voice from Missouri Southern State University in Joplin, Missouri. As a singer, Forrest brings the drama to the stage and concert hall with his expressive voice. Establishing his presence as a comic and versatile performer, he currently sings with the North Carolina Opera Chorus joining them for their 2021/2022 season in La bohème and Die Zauberflöte.

In addition to stage productions, Forrest has a special interest in choral repertoire. Singing with the Chancel Choir at First Presbyterian Church in Greensboro, Forrest has continued to grow his knowledge of sacred choral works including performances as the baritone soloist for Fauré’s Requiem and Handel’s Messiah. As a Choral Scholar with Bach Akademie Charlotte, Forrest joined the early music ensemble’s 2021/2022 season for their “Florilegium at 400” concert with performances of choral motets from the 17th century.

Honing his stage craft, Forrest has performed with theater and opera companies including North Carolina Opera, UNCG Opera Theatre, Greensboro Opera, Missouri Southern Theatre, Heartland Opera Theatre, Ozark Family Opera Company, Joplin Little Theatre, and Cherokee County Arts Association. Encompassing a wide range of genres, notable roles include Charles Condomine (Blithe Spirit), Warden Frank (Die Fledermaus), Gianni Schicchi (Gianni Schicchi), Mr. Cox (Cox and Box), Tony Brockhurst (The Boyfriend), Mack the Knife (The Threepenny Opera), and Mr. Feldzig (The Drowsy Chaperone).

As a teacher, Forrest focuses on supporting the individual goals of each student while providing a foundation in healthy voice technique. Creating a supportive space to learn allows students to discover new confidence in their singing and performance capabilities. In this way, students are able to use their unique voices to enjoy music-making no matter the style or genre for years to come.  He can be reached at fbunter@musicacademync.org.

Hinshaw music photoWOODSON E. FAULKNER, II is a graduate of Greensboro College with a Bachelor of Music degree subsequently attending UNCG for post-graduate study in choral conducting, voice training and music education. He was a featured soloist with the Bel Canto Company in their appearance at the Hinshaw Music Festival held in Raleigh August of 2014 and also in 2015 where he was again soloist in the 2nd Premier of John Rutter’s Six Canticles of Light. In 2007 Mr. Faulkner became the Choir Director/Organist at Wake Forest Baptist Church, Winston-Salem and on Sept. 11, 2011 in Wait Chapel, Mr. Faulkner conducted the premier performance of Angels and Fireflies written by Kevin Malone for solo flute and string orchestra for the 10th anniversary commemorating the tragic events of 9-11. The performance was simulcast to the Imperial War Museum in Manchester, England and radio broadcast live from Wake Forest on local NPR station WFDD. In addition, Mr. Faulkner serves as Accompanist, Assistant Director, and Vocal Coach for the Burlington Boys Choir since 1999, with tours to New York, Atlanta, Toronto, Mexico and Vienna.
Mr. Faulkner was Artistic Director and Founding Conductor of the Triad Pride Men’s Chorus from 1998 to 2012. His professional credits include appearances conducting TPMC at the International Festival of Gay and Lesbian Choruses (GALA) in Montreal, Miami, Denver, and at a regional conference in Cincinnati, OH. He has also sung professionally under the direction of the late Robert Shaw at Carnegie Hall and has performed as singer/assistant director of The Desert Chorale of Santa Fe, NM in four summer seasons.
Among his other artistic endeavors, Mr. Faulkner is a past Board President of Greensboro Opera and was recently a featured writer for the O.Henry Magazine in the July 2014 issue. He has been a presenter/speaker at Wake Forest Baptist Medical Center Didactic Seminar on Arts and Healing for Chaplaincy program May 25, 2012, a guest presenter at the SEA (Southern Entrepreneur in the Arts) Conference at UNCG in Feb. 2012, Music Director/Arranger/Actor for the Touring Theatre Ensemble of NC from 1995-2004. He sang with the Bel Canto Company of Greensboro for 20+ years appearing numerous times with the ensemble as soloist. Mr. Faulkner also holds a Certificate in Non-Profit Management from Duke University. He can be reached at wfaulkner@musicacademync.org.

STEPHANIE FOLEY DAVIS, Master Teacher, was praised by the New York Times in her Glimmerglass Festival debut in The Tender Land as a poised, touching Ma Moss and Opera News said she was a loving, careworn Ma, warm of voice and presence. Ms. Davis subsequently returned to Glimmerglass to create the role of Mary McCarthy in the world premiere of Jeanine Tesori’s A Blizzard in Marblehead Neck. Of her role debut as Charlotte in Nightingale Opera Theatre’s production of Werther, Cleveland Classical said, “Foley Davis and Culver were terrific in their singing and in delineating their sadness.”
Ms. Davis has appeared in leading roles throughout the US with companies such as Arizona Opera, Nashville Opera, Glimmerglass Festival, Nightingale Opera Theatre, Orlando Philharmonic and almost every professional opera company in North Carolina, including Opera Carolina, Piedmont Opera, North Carolina Opera, and Greensboro Opera. Stephanie made her company and role debut with Opera Roanoke, singing Rosina in Il Barbiere di Siviglia in May 2019. She sang with Memphis Symphony Orchestra for the Messiah, the Portland Symphony Orchestra (Maine) to perform the mezzo-soprano solos in Bernstein’s Symphony No. 1 Jeremiah and Jenkins The Armed Man all under the baton of Robert Moody, after which they reprised the concert with the Winston-Salem Symphony. Other recent credits include Mercedes in Greensboro Opera’s Carmen, Suzuki in Piedmont Opera’s Madama Butterfly, the mezzo soloist in the Winston-Salem Symphony’s Beethoven’s 9th, and as a distinguished alumna in Verdi’s Requiem at The University of North Carolina at Greensboro. Joseph Newsome (Voix des Arts) said, “Verdi entrusted the first phrases of Lux Aterna luceat eis, Domine to the mezzo-soprano soloist, and it is difficult to imagine that he could have expected them to be sung more handsomely and incisively than Foley Davis sang them in Greensboro.”  Stephanie created the role of Flo in the World Premiere of Libby Larsen’s Picnic in April 2009, commissioned by the UNCG School of Music.
Ms. Davis is currently Chair of the Voice Faculty and Associate Director at The Music Academy of North Carolina, where she has been teaching voice since 2011. She can be reached at sfoley_davis@musicacademync.org.

Charlene MarchantCHARLENE MARCHANT, Master Teacher, joined the voice faculty of The Music Academy of NC in 2012 when she moved to Greensboro from Hampton, VA. She is a graduate of Harvard College with an A.B. cum laude in Visual and Environmental Studies, and an M.M. in Vocal Performance from The Catholic Univ. in Washington, D.C. She has served as adjunct faculty at Hampton Univ., Chowan Univ., and The Governor’s School for the Arts in Norfolk, VA. In Greensboro, she has taught voice at Bennett College, and music at several area schools.
She sang professionally in the choruses of over 30 different operas with Washington (National) Opera, Washington Concert Opera, Virginia Opera, Glyndebourne Festival Opera, and Opera Ayr (Scotland). She is a member of the American Guild of Musical Artists, the National Association of Teachers of Singing, former member of British Equity, and a lifetime member of the music fraternity, Sigma Alpha Iota. She is a Board of Trustees member of Greensboro Opera, where she serves as co-VP of the Education Committee and leader of the Task Force for Social Justice.  She has lived in India, Kenya, and England; has a son in Seattle, and a daughter, son-in-law, and two lively grandsons who live in London.  She is a voice teacher for students who want a strong foundation in vocal technique. Her students range in age from eleven to eighty and learn repertoire from Disney to Debussy. She also teaches a lyric diction class at MANC using the International Phonetic Alphabet (IPA). She can be reached at cmarchant@musicacademync.org.

CLARICE FRIEDRICH, from Ypsilanti, Michigan, holds an MM in Voice Performance and Pedagogy from the University of North Carolina at Greensboro and a BM in Voice Performance from Eastern Michigan University. Clarice’s performance experience encompasses a wide range of styles and includes musical theatre, jazz, classical, and choral music. She has performed with many different performing organizations and groups, including The Community Theatre of Greensboro, Greensboro Opera Chorus, The Straits Chorale, Pittsfield Opera Theatre, Jazz at Tower Inn, and Arbor Opera Theatre. She currently sings in the soprano sections of Bel Canto Company and Greensboro Symphony Orchestra’s Master Chorale. Her most notable theatrical roles include Miss Barley (A Gentleman’s Guide to Love and Murder), Susanna (Le nozze di Figaro), Adele (Die Fledermaus), Gretel (Hansel and Gretel), and Papagena (Die Zauberflöte). Equally at home on and off the stage, she directs the choir at Well-Spring Community and teaches private voice lessons. As a teacher, Clarice’s mission is to support every student in whatever musical endeavors they want to pursue. A specialist in cross-training singers, she believes that every student has their own individual voice, and one’s goal as their private teacher is to help them develop a healthy technique while still keeping the integrity of their unique singing voice and style. Additionally, she aims to help students develop proficient musical skills and to become artistic and expressive singers. Clarice’s ultimate goal as a private voice teacher is to create a safe and calming environment where students are free to explore their artistic selves, develop a healthy singing technique, and unlock their full potential as performers. She can be reached at cfriedrich@musicacademync.org.
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Woodwind, Brass, & Percussion

Isabel Aviles, Flute
Matthew Covington, Oboe
Kaisi Deng, Saxophone
Gilson Fearnow, Drum set and Percussion
Cat Keen Hock, Clarinet
James Lane, Trombone
Rebecca Libera, Bassoon
Kurt Phelps, Trumpet and French Horn


ISABEL AVILES is currently studying for her Master of Music in Flute Performance at the University of North Carolina School of the Arts with Dr. Tadeu Coelho. She received her BM in Flute Performance at the University of Central Florida under Dr. Nora Lee Garcia. Currently, she works as a flute teacher at the Music Academy of North Carolina and is the Aural Skills Graduate Teaching Assistant at UNCSA. In the summer of 2021, she worked as a Marketing Intern for Orbis Technologies. Previously she was the President of the Flute Club at UCF and was the 2020 UCF Performance Excellence Competition winner. In Florida, she worked as a flute teacher at the Orlando School of Music, Avalon School of Music, a Woodwind Tech at Timber Creek High School, a counselor at the UCF Flute Institute/Bootcamp, and taught private music students in the local Orlando area. Her music festival experiences include the Camino Spain Flute Camp, Interharmony Music Festivals in Italy and Germany, and Flauti al Castello in Italy. Professionally she has performed with the Villages Orchestra, Orlando Contemporary Chamber Orchestra, Bach Festival Orchestra, and several local churches in Florida.



MATTHEW COVINGTON is a native of North Carolina and has been immersed in classical music all his life beginning with singing and going to hear his mother play violin in symphonies. He followed this passion for music to UNC-Greensboro on the oboe where he studied with Ashley Barret and has also performed in masterclasses for Joseph Robinson, Mark Ostoich, Jacqueline Leclair, and Andrew Parker.

Now, Matthew holds positions with orchestras across NC including the Greensboro Symphony, Western Piedmont Symphony, Carolina Philharmonic, Fayetteville Symphony, and Piedmont Wind Symphony; he also enjoys engaging in many types of chamber music.  He can be reached at mcovington@musicacademync.org.



Born in China, KAISI DENG is an engaging saxophonist of the younger generation of China. He began studying saxophone at the age of nigh and holds Bachelor of Music performance at saxophone degree (2016) from Chongqing Normal university and Master of music performance at saxophone degree (2019) from the University of North Carolina at Greensboro.

As a performer, Kaisi was the principle of the UNCG Symphonic Band (2018-2019) and CQNU woodwind band and Marching Band (2013-2014). He also joined many saxophone quartets. He and his saxophone quartet performed many pieces in UNCG and won the Chengdu Yamaha Saxophone Quartet Competition (2013).  As a saxophone instructor, Kaisi was the saxophone instructor at the Chongqing Leipeng Arts Training Center, the Chongqing 17th Middle School, the Chongqing 29th Middle School.  Kaisi Deng is pursuing his Doctor of Musical Arts (DMA) degree in saxophone performance at the University of North Carolina at Greensboro.  He can be reached at kdeng@musicacademync.org.

Clarinet instructor, Dr. CATHERINE KEEN HOCK serves as the Assistant Director of the UNCG School of Music. Cat is a founding member of the award-winning reed ensemble Quintet Sirocco, and is also a member of the Piedmont Winds, the bass clarinetist for the Fayetteville Symphony and Salisbury Symphony Orchestras, and teaches on the woodwind faculty at the Music Academy of North Carolina.  Cat also enjoys sharing her love of music history as program essayist and lecturer for the Eastern Music Festival.

Cat completed her DMA in clarinet performance at UNCG in 2012 where she was a graduate teaching assistant for the clarinet studio and jazz studies program. She completed a cognate in jazz studies and a Post-Baccaleureate Certificate in Historical Musicology during her doctoral studies.  Cat also earned a MM in Clarinet Performance from UNCG in 2007, and a BA with Honors in Music Performance and a minor in International Studies from Wake Forest University in 2005. Cat made her international recital debut, performing in Hangzhou, China in September of 2018.  She studied clarinet with Kelly Burke, Edwin Riley, Anthony Taylor, Michael Waddell and Eileen Young. Cat’s clarinet students at MANC range from young beginners to advanced performers.  School aged students have routinely auditioned into their All-County and All-District Honors Bands, and have been accepted into the North Carolina Governor’s School for Music, the Canon Music Camp at Appalachian State University, the North Carolina Youth Wind Ensemble and the Greensboro Symphony Youth Orchestra.  Cat is currently accepting new students into her studio!  To learn more about Cat, visit her on the web at www.catkeenhockclarinet.com.  Cat can be reached at ckeen-hock@musicacademync.org.

JAMES LANE, originally from Wilmington, NC, earned his BM in Music Education and a BA in Trombone Performance from UNC Wilmington. He earned his Master of Music degree in Trombone Performance from UNC Greensboro where he has been a graduate teaching assistant. Jim is currently starting his DMA in Trombone Performance at UNCG. As a trombonist, Jim has played all across North Carolina with groups such as the Joe Brown Band, Too Phat Brass , Big Night Dynamite, the Wilmington Symphony Orchestra and many productions with Opera House Theatre Company. Jim has also played with artists such as Capthia Jenkins, Ryan Shaw, and Camille Thurman. In early 2022, Jim traveled with the UNCG Jazz Ensemble I to perform in the Jack Rudin Jazz Competition in New York at the Lincoln Center.  He can be reached at jlane@musicacademync.org.





RLibera-250-2DR. REBECCA LIBERA, bassoon faculty, currently performs with the Quintet Sirocco, Fayetteville Symphony, Salisbury Symphony, and Western Piedmont Symphony, and has also performed with the North Carolina Symphony, Greensboro Symphony, Winston-Salem Symphony, and the Arizona Wind Symphony. Never content to sit still, Rebecca is also an arts administrator, teacher, performer, advocate, hearing specialist, researcher, health nut, and recreational athlete. As the Executive Director of Music for a Great Space, a local arts non-profit organization, Rebecca has a deep commitment to bringing great chamber music to the great spaces of Greensboro and to providing educational opportunities to music lovers of all ages. Before relocating back to the Piedmont Triad in 2011, Rebecca was a K-8 Elementary General Music and Band teacher in Phoenix, AZ. Also a published author, her articles have appeared in the Journal of Band Research as well as Arizona Music News. In addition to her music teaching and performance, Rebecca is an Occupational Hearing Conservationist and a Hearing Instrument Specialist, working for a private audiology practice in Greensboro. When relaxing, Rebecca has become a recreational runner and always enjoys a hike in the NC mountains. Dr. Libera is a two-degree graduate of The University of North Carolina at Greensboro (MM 2006, DMA 2009) and her undergraduate dual degree in music performance and music education is from Ithaca College in Ithaca, NY (2004). Rebecca can be reached at rlibera@musicacademync.org

DR. KURT PHELPS is a freelance trumpeter and member of the 208th “Wildcat” Army Band stationed in Concord, North Carolina. Kurt received his DMA from the University of North Carolina at Greensboro. While at UNCG, he served as a graduate assistant where he taught graduates and undergraduates, trumpet ensemble, and coached a student brass quintet. Alongside those duties, he was a member of the Graduate Brass Quintet and has taken part in educational concerts across the Greensboro community.
As an Army musician, Kurt has had the pleasure of performing in various military and civilian functions throughout North Carolina, Virginia, and Mississippi. Kurt is a native Floridian and has had the opportunity to perform as a marching toy soldier at the Magic Kingdom theme park at Walt Disney World. He also performed as the first trumpet for the Penguin Brass Quintet at SeaWorld Orlando. Kurt was also a founding member of the Space Coast Symphony Orchestra and the Space Coast Oratorio Society. Kurt has performed internationally as well. In 2011, he traveled to Melk, Austria to perform in the Schagerl Brass Festival alongside Europe’s most accomplished brass players. Kurt is dedicated to music education. He has served as a guest clinician for middle and high schools in Florida, Georgia, and North Carolina. He can be reached at kphelps@musicacademync.org.

GILSON FEARNOW is a free-lance drummer/percussionist and private lessons teacher. He earned his Masters in Music from UNCG in 2019 and shortly thereafter joined the 208th Army Band based in Concord, NC. While at UNCG, Gilson taught undergraduate students weekly lessons, coached percussion ensemble, and was the NCPAS solo competition winner (2019). His performance experience is varied; ranging from playing with local singer-songwriter Jessie Dunks to performing with the many local symphonies. Gilson is a section member of the Salisbury Symphony and regularly subs with the Greensboro Symphony, Winston-Salem Symphony, and the Charlotte Symphony. 

Gilson hails from Richmond, VA and has lived in Greensboro since 2017. He has educated students of all ages through numerous private studios between Virginia and North Carolina since 2013. While not teaching, performing, or writing music, Gilson likes to spend time outdoors playing disc golf!  He can be reached at gfearnow@musicacademync.org.

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Ken Brown, Guitar, Sitar
Brad Dickerson, Guitar
Greyson Leybourne, Banjo
Mark Mazzatenta, Guitar

KEN BROWN, guitar and sitar faculty member, began studying classical guitar at the age of eleven and has studied in master classes and privately with many of the top classical guitarists of today. In addition to classical guitar, Ken has performed in a wide array of musical genres including both Jazz, and Rock, and in settings ranging from film scores, to musical theater. In 2009 Ken has appeared as a guest artist at Arizona Musikfest, and with Nascar’s Kyle Petty at the Reckless Kelley Celebrity Softball Jam, an event organized to help fund programs for exceptional children in Austin, TX. His compositions range in scope from classical to electronic, three of which were recently featured in a modern dance premier in New York City. Ken holds degrees in both music and psychology, and works in depth with students with autism, ADHD, Downs syndrome, and cerebral palsy. He is currently in the process of revising three guitar method books and interactive DVD’s, one of which is written specifically for exceptional children. In addition to guitar, Ken plays sitar, mandolin, pedal steel, and bass. He is an avid visual artist whose artwork was featured on the cover of Soundboard in the spring of 2009. Ken can be reached at kbrown@musicacademync.org.

BRAD DICKERSON, guitar faculty, received his bachelors degree in classical guitar performance from Appalachian State University, cum laude, where he studied with Douglass James and Roger Cope. He has performed in master classes for artists such as Stephen Aaron and Elliot Frank. He has worked at the Music Academy of North Carolina since 2006 where he enjoys playing and teaching many styles such as classical, rock, blues, jazz, folk, bluegrass, and songwriting. His students have been recognized in statewide guitar competitions and have passed college auditions. In 2007 he received the Mary Elizabeth King Brown excellence in teaching award. As a performer he has appeared with the Greensboro Symphony, the Allamance Chorale, and his music has been featured on N.P.R. He performs regularly in the Piedmont area. He can be reached at bdickerson@musicacademync.org.

Greyson LeybourneGREYSON LEYBOURNE, Banjo, Guitar and Mandolin faculty member, graduated from the University of North Carolina at Greensboro in 2013 with a Bachelor of Music in Choral Education, and a Bachelor of Music in Music Composition. He is currently performing with various different projects, including the Gate City Railbenders and The Hothouse Cucumbers. Greyson primarily plays banjo, guitar, mandolin, fiddle, and piano, with a particular focus on Bluegrass, and Old-time music.
In addition to Bluegrass and Old-time music, Greyson has a personal passion for choral music and also sings with the Greensboro-based early music choir Musica Anima as well as serving as the choir director and accompanist at Bethel Presbyterian Church in Gibsonville, NC. Greyson can be reached at gleybourne@musicacademync.org.


MARK MAZZATENTA recently celebrated his 30th year of teaching at the University level. He is an active performer of many styles of guitar music from solo classical to jazz to electric fusion. After receiving his Master of Music degree from the Florida State University, he taught at the University of North Carolina at Greensboro and at High Point University. He is also a composer who records as a soloist, with his twin brother (piano) in the Mazz Brothers Duo, and with his band Mazzjazz. In 2010 he won a Central Piedmont Regional Artists Hub Program grant. He is published in the American Music Teacher and his guitar arrangements are published by LudwigMasters. Find out more about Mark by visiting musicbymazz.com and Mark’s YouTube Channel! At MANC, he teaches all ages of guitar students at all levels of performance and can be reached at mmazzatenta@musicacademync.org.

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Jazz Studies

Brent Davis, Saxophone
James Lane, Trombone
Matt Reid, Piano


BRENT DAVIS, director of bands at Mendenhall Middle School graduated from Indiana University of Pennsylvania with a Bachelor of Science in Music Education and a Bachelor of Arts in Performance. He has also completed a Masters in Music Performance in Saxophone at the University of North Carolina Greensboro. He is an active MENC, NCMEA, JEN and CDBA member. While at Mendenhall Middle School, band students have performed at many band festivals and community events. The students and bands have performed and participated on the local WFMY2 channel, Greensboro Grasshopper baseball games, retirement homes, Greensboro Cultural Arts Center, The Music Academy of North Carolina Masterclasses, UNCG School of Music Masterclasses, All-County Band, All-District Band, All-State Bands, MPA festivals, and Carowinds Theme Park Music Festivals. In 2012, the Mendenhall 8th grade band commissioned and premiered “Gate City Snapshot” by composer Nathan Daughtrey, and in 2017 the 8th grade band premiered “Such Small Things” by composer Nathan Daughtrey, as well. When not enjoying the sounds of band music, he is spending time with his family and enjoys fly-fishing and cheering on his favorite baseball, soccer, and football teams. He is always looking forward to teaching new students how to perform and appreciate music throughout life!!!!!!!  He can be reached at bdavis@musicacademync.org.

JAMES LANE, originally from Wilmington, NC, earned his BM in Music Education and a BA in Trombone Performance from UNC Wilmington. He earned his Master of Music degree in Trombone Performance from UNC Greensboro where he has been a graduate teaching assistant. Jim is currently starting his DMA in Trombone Performance at UNCG. As a trombonist, Jim has played all across North Carolina with groups such as the Joe Brown Band, Too Phat Brass , Big Night Dynamite, the Wilmington Symphony Orchestra and many productions with Opera House Theatre Company. Jim has also played with artists such as Capthia Jenkins, Ryan Shaw, and Camille Thurman. In early 2022, Jim traveled with the UNCG Jazz Ensemble I to perform in the Jack Rudin Jazz Competition in New York at the Lincoln Center.  He can be reached at jlane@musicacademync.org.





Born and raised in the mountains of Western North Carolina, MATT REID began studying piano at the age of five with local teachers in the Asheville area. During his early years, Matt played in numerous churches and Gospel groups, traveling to Florida, Texas, Virginia, South Carolina and Tennessee. During this time, Matt also attended the Stamps-Baxter School of Music, held annually in Nashville, TN, where he had the opportunity to study with renowned Gospel pianists Tracy Phillips, Tim Parton and the late Anthony Burger. Developing a deep love for the jazz idiom, Matt relocated to Greensboro, NC in 2013 to complete his undergraduate studies at Guilford College, graduating in 2016 with a B.A. in Jazz Piano Performance. As part of his undergraduate studies, Matt performed in and around the Greensboro area as part of the Guilford College Jazz Ensemble and Jazz Combo I, including such venues as the Greensboro Coliseum as part of the Guilford College Bryan Series, which hosted guest speakers such as Ron Howard, Amal Clooney, Robert Ballard, Malcolm Gladwell and Bill Bryson. Matt also traveled as part of a consortium of Guilford College musicians, performing in locations such as the notable Arch Street Friends Meeting House in Philadelphia and Brooklyn Friends School in New York City. In 2017, Matt was accepted to the prestigious Jazz Studies program at North Carolina Central University to complete his graduate studies. During this time, Matt had the opportunity to study with renowned pianists Edmund Paolantonio and Joey Calderazzo, and perform with many top jazz artists such as Branford Marsalis, Delfeayo Marsalis, Nnenna Freelon, Antonio Hart, Brian E. Miller, Dr. Trineice Robinson, Dr. Ira Wiggins, Dr. Brian Horton, Robert Trowers and Ms. Lenora Helm-Hammonds. While at NCCU, Matt also had the opportunity to study composition and arranging extensively with Dr. Ira Wiggins, Dr. Brian Horton and Mr. Baron Tymas. Matt also performed as part of the esteemed NCCU Jazz Ensemble, which traveled and performed in venues such as the Mid-Atlantic Jazz Festival in Rockville, MD, the Ray Charles Performing Arts Center at Morehouse College in Atlanta, GA for the HBCU National Band Director’s Consortium, numerous NCCU Alumni Association events, both the NCCU 28th and 29th Annual Jazz Festival in Durham, NC, the Valentine’s Day Annual Concert in consortium with jazz ensembles from UNC-Chapel Hill and Duke University, and many other regional performance venues. As well, Matt performed as part of the rhythm section for the NCCU Vocal Jazz Ensemble, including performances in Reno, NV at the 2019 Jazz Education Network Conference and as part of Duke University’s In the Jazz Tradition showcases. In May of 2019, Matt graduated from NCCU with a Master of Music degree in Jazz Studies Performance. Matt currently serves on the faculty of Guilford College and North Carolina A&T State University, teaching jazz piano and applied laboratory piano courses. Matt is also the assistant director of the Greensboro Big Band, a City of Greensboro ensemble of community musicians who perform big band-style music of the Swing era. Matt also serves on the faculty at the John Coltrane Jazz Workshop in High Point, NC, and in addition to numerous local, regional and national venues, curates and performs weekly with his jazz trio at Double Oaks Bed & Breakfast in Greensboro, NC.  He can be reached at mreid@musicacademync.org.



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Staff and Board

Directors and Department Chairs

Kellie Burgess, Executive Director

Stephanie Foley Davis, Associate Director and Chair of the Voice Department

Katherine Miller, Director of Partnerships and Outreach

Elizabeth Leddy, Chair of the Piano Department

CHRIS RACHAL, Director of Student Relations and Recording Engineer at The Music Academy of North Carolina, received a Bachelor of Arts degree in Speech/Mass Communications from the University of West Georgia. Following an 18-year career in radio broadcasting as a Disc Jockey, Chris embarked on a career in music and music production by attending The Recording Workshop in Chillicothe, Ohio. Chris has worked in the Music Technology Department at the Music Loft, also as a sound editor and score creator at Notion Music in Greensboro. Chris also owns Spin It On Entertainment Professional Mobile DJ business and has over 30 years experience recording everything from radio voiceovers, recitals, school choral performances, church choirs to solo artists and rock ‘n’ roll bands. Chris also plays guitar and sings, and he is back on the radio after a 13-year break and can be heard on WQFS 90.9 FM. Chris can be reached at crachal@musicacademync.org.


Board of Directors

Kathryn Larson, Board Chair
Dr. John Locke, Vice Chair
Dianne Berberich, Treasurer
Kai Tomalski, Secretary
Detra Davis
Ken Gay, Jr.
David McDonald
Pamela Murphy
Sam Seyedin
Ralph Wenger

Interested in volunteering or other ways to support The Music Academy? We’d love to hear from you.

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