WOODSON E. FAULKNER, II is a graduate of Greensboro College with a Bachelor of Music degree subsequently attending UNCG for post-graduate study in choral conducting, voice training and music education. He was a featured soloist with the Bel Canto Company in their appearance at the Hinshaw Music Festival held in Raleigh August of 2014 and also in 2015 where he was again soloist in the 2nd Premier of John Rutter’s “Six Canticles of Light”. In 2007 Mr. Faulkner became the Choir Director/Organist at Wake Forest Baptist Church, Winston-Salem and on Sept. 11, 2011 in Wait Chapel, Mr. Faulkner conducted the premier performance of “Angels and Fireflies” written by Kevin Malone for solo flute and string orchestra for the 10th anniversary commemorating the tragic events of 9-11. The performance was simulcast to the Imperial War Museum in Manchester, England and radio broadcast live from Wake Forest on local NPR station WFDD. In addition, Mr. Faulkner serves as Accompanist, Assistant Director, and Vocal Coach for the Burlington Boys Choir since 1999, with tours to New York, Atlanta, Toronto, Mexico and Vienna.
Mr. Faulkner was Artistic Director and Founding Conductor of the Triad Pride Men’s Chorus from 1998 – 2012. His professional credits include appearances conducting TPMC at the International Festival of Gay and Lesbian Choruses (GALA) in Montreal, Miami, Denver, and at a regional conference in Cincinnati, OH. He has also sung professionally under the direction of the late Robert Shaw at Carnegie Hall and has performed as singer/assistant director of The Desert Chorale of Santa Fe, NM in four summer seasons.
Among his other artistic endeavors, Mr. Faulkner is a past Board President of Greensboro Opera and was recently a featured writer for the O.Henry Magazine in the July 2014 issue. He has been a presenter/speaker at Wake Forest Baptist Medical Center Didactic Seminar on Arts and Healing for Chaplaincy program – May 25, 2012, a guest presenter at the SEA (Southern Entrepreneur in the Arts) Conference at UNCG in Feb. 2012, Music Director/Arranger/Actor for the Touring Theatre Ensemble of NC from 1995-2004. He sang with the Bel Canto Company of Greensboro for 20+ years appearing numerous times with the ensemble as soloist. Mr. Faulkner also holds a Certificate in Non-Profit Management from Duke University. He can be reached at email@example.com.
STEPHANIE FOLEY DAVIS is the Chair of the Voice Faculty of The Music Academy of North Carolina. She has been teaching private voice lessons since high school and has since developed a wide range of teaching styles from opera to pop and rock. A successful opera singer since 2005, Ms. Davis brings solid technique, professionalism, and dramatic interpretation to her studio and the stage.
Stephanie Foley Davis was praised by the New York Times in her Glimmerglass Festival debut in The Tender Land as “a poised, touching Ma Moss” and Opera News said she was “a loving, careworn Ma, warm of voice and presence.” Ms. Davis subsequently returned to Glimmerglass to create the role of Mary McCarthy in the world premiere of Jeanine Tesori’s A Blizzard in Marblehead Neck. Of her role debut as Charlotte in Nightingale Opera Theatre’s production of Werther. Cleveland Classical said, “…Foley Davis and Culver were terrific in their singing and in delineating their sadness.”
Ms. Davis has appeared in leading roles throughout the US with companies such as Arizona Opera, Nashville Opera, Nightingale Opera Theatre, Orlando Philharmonic and almost every professional opera company in North Carolina, including Opera Carolina, Piedmont Opera, North Carolina Opera, and Greensboro Opera, to which she will return as Berta in Il Barbiere di Siviglia in January of 2018. Stephanie also will return to the Winston-Salem Symphony to perform the mezzo-soprano solos in Bernstein’s Symphony No. 1 “Jeremiah” and Jenkins’ The Armed Man under the baton of Robert Moody, after which they will reprise the concert with the Portland Symphony Orchestra (Maine).
Other recent credits include Mercedes in Greensboro Opera’s Carmen, her first Suzuki in Piedmont Opera’s Madama Butterfly, the mezzo soloist in the Winston-Salem Symphony’s Beethoven’s 9th, and as a distinguished alumna in Verdi’s Requiem at The University of North Carolina at Greensboro. Joseph Newsome (Voix des Arts) said, “Verdi entrusted the first phrases of ‘Lux æterna luceat eis, Domine’ to the mezzo-soprano soloist, and it is difficult to imagine that he could have expected them to be sung more handsomely and incisively than Foley Davis sang them in Greensboro.” Stephanie created the role of Flo in the World Premiere of Libby Larsen’s Picnic in April 2009, commissioned by the UNCG School of Music.
Stephanie can be reached at 336-379-8748, ext. 109, or at firstname.lastname@example.org.
EMILY FORD-COATES, soprano, is thrilled to join the faculty of the Music Academy of North Carolina with a combined 5 years teaching experience of private voice lessons and middle school instruction of students within the exceptional education program. Ms. Ford-Coates is originally from Florida and recently appeared as Madame Lidoine in Dialogues of the Carmelites with University of North Carolina Greensboro Opera. She has also performed with the Sarasota Opera Company as the Second Spirit in Die Zauberflöte and with the Orlando Philharmonic as Cio Cio San’s Cousin in Madama Butterfly. Other roles include Amelia in Amelia Goes to the Ball, and Geraldine in A Hand of Bridge. Along with stage work she has also been the soloist for concert works such as Mozart’s Missa Brevis in F, Mozart’s Requiem, and Vivaldi’s Gloria. Ms. Ford-Coates holds a Bachelor of Music degree from the University of Central Florida in Orlando where she studied with Thomas Potter and Priscilla Bagley. She completed her coursework for a Master of Music degree at the University of North Carolina Greensboro under the guidance of Dr. Robert Wells in 2017. It is her strong belief that every student can learn and, in conjunction, every teacher has the privilege of discovering the unique and varying ways to make the information accessible – no two students are alike therefore there must be more than one way to teach a student to become both an expressive artist and a healthy singer. Ms. Ford-Coates has an extensive background with classical singing and also enjoys teaching Musical Theater and Jazz repertoire. Emily can be reached at email@example.com.
CHARLENE MARCHANT, voice faculty member at The Music Academy of North Carolina, received her Master of Music degree in Vocal Performance from The Catholic University of America and her A.B. in Visual and Environmental Studies cum laude from Harvard University. She brings extensive voice teaching experience having been adjunct faculty in the Music Departments of Hampton University (fourteen years) and Chowan University (one year), and in the Vocal Music Department (eleven years) of The Governor’s School for the Arts, a magnet school in Norfolk, Virginia. She has professional performance experience having sung in the choruses of over 30 different operas with the following companies: Virginia Opera, The Washington (National) Opera, Washington Concert Opera, Glyndebourne Festival Opera, and Opera Ayr (Scotland). She has also performed small roles such as her most recent, Strawberry Woman in Porgy and Bess (Virginia Opera, 2010). She has sung professionally everything from chamber music to Music Theater and cabaret. She has taught madrigals and opera workshop and she loves teaching diction for singers, specializing in the major foreign languages and English using the International Phonetic Alphabet. She can be reached at firstname.lastname@example.org.
HANNAH RIDDLE, voice faculty member at The Music Academy of North Carolina, is a native of Charleston, SC and a recent graduate of East Carolina University where she received her Master of Music degree in Vocal Performance and Pedagogy. She discovered her passion for voice science and private voice instruction while pursuing her Bachelor’s degree in Music at Winthrop University in Rock Hill, SC. During her graduate studies, she taught undergraduate group voice classes as well as private voice lessons. She also served as a recording technician along with fulfilling the duties of assistant stage manager to the director of the opera theatre program. Hannah’s passion lies in both teaching and performing, and her most recent roles include Edith in The Pirates of Penzance (Gilbert and Sullivan) and Carolina in Il Matrimonio Segreto (Cimarosa). She also has experience performing with the Winthrop Jazz Voices Ensemble, Winthrop Chamber Singers, and ECU Women’s Choir. Hannah is a member of the Phi Kappa Phi Music Honor Society and is an active member of the Guilford, Forsyth, and Stokes County arts communities. She can be reached at email@example.com.